The Sun and the Moon
move in endless circles, performing an eternal algorithm of light and darkness, yin and
yang. Against the star-studded backdrop of the Milky Way, the drama of black and white
unfolds, precariously balancing the eons-old mathematics of the cosmic duel.
Who says it is not an inevitable solution of aesthetics, a
poetic necessity, that Hou Yi shot out the multiple suns from our mythological sky? The
ancient epics for our ancestors, and the ancestors of our neighbors across the oceans,
dont they sing the sagas of the Sun, the Moon, the Stars, of Heaven and Earth, of
suffering and joy, and of light and darkness?
The fierce Sun, Unbridled, can turn life into a shriveled
yellow leaf, devoice of itself; yet without the Sun, in the monsoon season, life
multiplies like poisonous fungus, bringing us nothing but dark, twistdecuses
Yin and yang circulate back and forth in their eternal dance
of push hand. In their shuffling, down falls Pompeii, a few twisted silent towers remain
in the stones of Angkor, and the majestic sadness of the Stone Henge shocks and disorients
us with its ponderous mystery. Nature, following her own rules, performs a never-ending
exercise in aesthetics.
Time comes and time goes.
Space closes and space opens.
People, like ants, busy themselves generations after
generations. Socrates, Kant, Rochester, Don Quixote, the Brother Karamazov, Hitler,
Einstein, Qin Shi Huan, Han Wu Di, Dou Er Doun, Li Bai, Xi Men Ching, Genghis
Khan, Lu Ah Shou and Shao Er He
Like a tube of toothpaste, life gets squeezed out, a
little at a time, to the end. Busying, busying, fighting, fighting; the struggles never
end. Charlatans, politicians, soldiers and scholars, each waving their own banners, walk
on the stage, play their parts, hawk their wares, and then are gone. The history book is a
hastily written work in progress, covered with sloppy revision
The Sun and the Moon
still move in endless circles, light and darkness are always fighting a war, their
clashing weaponry plays a cruel cosmic symphony. In the chapters of seasons, blood and
sweat stain the pages of planting and harvest.
The Earth moves around the Sun with such haste and dispatch.
In the relentless turning of the cosmic wheel, with a swoosh, Yin and Yang have just torn
off the last page o the Twentieth Century. Listen, the cold and calculated clicking of the
computer keyboard is mincing the few remaining organic visages of the human race.
Civilization is a derelict streetcar named Desire, grimacing in the dappled rays of the
setting sun.
After all, what I can
try and do is to pick up my artists sickle and hoe, to take care of my fields of soy
and sorghum in the vast land of art.
1999. 9. 28.1:30am